BNP Preset Pack #1
I may be one of the biggest proponents to the fact that there is no plug and play solution when it comes to putting a preset on a photo. Looking at other photographers work, you may think think to yourself, “how do I images to look like that?”
After taking a number of courses from some of the biggest names in outdoor photography and downloading countless preset packs from some of my favorite photographers, I learned that my images don’t always look like I thought they would when I use a preset. But that process helped me to develop my own style and understand the limits of my camera settings and shooting process. Each preset has something new to learn and will hopefully help you develop your style once you take a deeper look and play with what works with your images.
The goal of a lot of these presets is to keep things looking natural, but shift the values of colors to make things pop a certain way. Within them, you will find different ways of applying contrast through lighting and color balance. I tend to shoot on the warmer side of the Kelvin scale so a lot of these work while shooting in the Cloudy white balance setting. You can always use the auto white balance, but make sure to be shooting in raw!
BNP Preset Pack #1 will include:
Cobalt: Create dark blues in the sky and a strong contrast within your images. Great for sunny days, in the snow,
Film Light: Add a light fade, soft highlights, and a touch of grain. Nothing too overdone, but a good base to build on.
Mendo: Another light film look that has a little less contrast than the Film Light.
Good Dirt: Moody warm forrest shots with muted greens and browns, a nice grain to add a little more style.
Studio BW: Add a contrasty look to your studio or non-studio shots.
Race Day: A great base for shots in midday light that keeps a lot of color in the images.
These presets will not be an end all be all solution for your images, but I encourage you to build on them and use the tools to help develop your own style. And if you have any questions about how things work or why a tool was used, please reach out! I’d love to help share my process as to why I did something.
DESIGNED FOR ADOBE LIGHTROOM/LIGHTROOM CLASSIC
TO INSTALL ON LIGHTROOM DESKTOP
From the menu bar, choose File > Import Profiles & Presets.
In the Import dialog that appears, browse to the required path and select profiles or presets that you want to import.
Click Import.
As I update each pack, I will automatically include presets that I add. If you have any requests, please let me know and I’ll work on updating them in the future.
No matter how you got here, thank you for your support and if there is anything that I can do to help you with your photography journey please don’t hesitate to reach out.
I may be one of the biggest proponents to the fact that there is no plug and play solution when it comes to putting a preset on a photo. Looking at other photographers work, you may think think to yourself, “how do I images to look like that?”
After taking a number of courses from some of the biggest names in outdoor photography and downloading countless preset packs from some of my favorite photographers, I learned that my images don’t always look like I thought they would when I use a preset. But that process helped me to develop my own style and understand the limits of my camera settings and shooting process. Each preset has something new to learn and will hopefully help you develop your style once you take a deeper look and play with what works with your images.
The goal of a lot of these presets is to keep things looking natural, but shift the values of colors to make things pop a certain way. Within them, you will find different ways of applying contrast through lighting and color balance. I tend to shoot on the warmer side of the Kelvin scale so a lot of these work while shooting in the Cloudy white balance setting. You can always use the auto white balance, but make sure to be shooting in raw!
BNP Preset Pack #1 will include:
Cobalt: Create dark blues in the sky and a strong contrast within your images. Great for sunny days, in the snow,
Film Light: Add a light fade, soft highlights, and a touch of grain. Nothing too overdone, but a good base to build on.
Mendo: Another light film look that has a little less contrast than the Film Light.
Good Dirt: Moody warm forrest shots with muted greens and browns, a nice grain to add a little more style.
Studio BW: Add a contrasty look to your studio or non-studio shots.
Race Day: A great base for shots in midday light that keeps a lot of color in the images.
These presets will not be an end all be all solution for your images, but I encourage you to build on them and use the tools to help develop your own style. And if you have any questions about how things work or why a tool was used, please reach out! I’d love to help share my process as to why I did something.
DESIGNED FOR ADOBE LIGHTROOM/LIGHTROOM CLASSIC
TO INSTALL ON LIGHTROOM DESKTOP
From the menu bar, choose File > Import Profiles & Presets.
In the Import dialog that appears, browse to the required path and select profiles or presets that you want to import.
Click Import.
As I update each pack, I will automatically include presets that I add. If you have any requests, please let me know and I’ll work on updating them in the future.
No matter how you got here, thank you for your support and if there is anything that I can do to help you with your photography journey please don’t hesitate to reach out.
I may be one of the biggest proponents to the fact that there is no plug and play solution when it comes to putting a preset on a photo. Looking at other photographers work, you may think think to yourself, “how do I images to look like that?”
After taking a number of courses from some of the biggest names in outdoor photography and downloading countless preset packs from some of my favorite photographers, I learned that my images don’t always look like I thought they would when I use a preset. But that process helped me to develop my own style and understand the limits of my camera settings and shooting process. Each preset has something new to learn and will hopefully help you develop your style once you take a deeper look and play with what works with your images.
The goal of a lot of these presets is to keep things looking natural, but shift the values of colors to make things pop a certain way. Within them, you will find different ways of applying contrast through lighting and color balance. I tend to shoot on the warmer side of the Kelvin scale so a lot of these work while shooting in the Cloudy white balance setting. You can always use the auto white balance, but make sure to be shooting in raw!
BNP Preset Pack #1 will include:
Cobalt: Create dark blues in the sky and a strong contrast within your images. Great for sunny days, in the snow,
Film Light: Add a light fade, soft highlights, and a touch of grain. Nothing too overdone, but a good base to build on.
Mendo: Another light film look that has a little less contrast than the Film Light.
Good Dirt: Moody warm forrest shots with muted greens and browns, a nice grain to add a little more style.
Studio BW: Add a contrasty look to your studio or non-studio shots.
Race Day: A great base for shots in midday light that keeps a lot of color in the images.
These presets will not be an end all be all solution for your images, but I encourage you to build on them and use the tools to help develop your own style. And if you have any questions about how things work or why a tool was used, please reach out! I’d love to help share my process as to why I did something.
DESIGNED FOR ADOBE LIGHTROOM/LIGHTROOM CLASSIC
TO INSTALL ON LIGHTROOM DESKTOP
From the menu bar, choose File > Import Profiles & Presets.
In the Import dialog that appears, browse to the required path and select profiles or presets that you want to import.
Click Import.
As I update each pack, I will automatically include presets that I add. If you have any requests, please let me know and I’ll work on updating them in the future.
No matter how you got here, thank you for your support and if there is anything that I can do to help you with your photography journey please don’t hesitate to reach out.